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Darkest Hour: What’s in a Face?

Winston Churchill holds an iconic visage immediately recognisable to any and all Brits, regardless of generation. Thus it is...

Stoker: Reinventing the ‘Mistake’

Fragmented images linger in the corners of frames, characters are framed with vast headroom, inserts of fractions of seconds only showing...

Mother!: To See but Never Touch

Darren Aronofsky’s latest film continues in the footsteps of much of his career whereby he takes a select set of emotions and introduces...

Rethinking the Rating System

What information do we really get from a rating system, be it out of five, ten or one hundred? To many it’s simply a measure of whether...

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